
“In addition to this: the aforementioned Moctezuma gave me many garments of his own. They were such that, considering they were made entirely of cotton without a trace of silk, nowhere else in the world could anything similar be crafted or woven; neither in such diverse and natural colors, nor in such exquisite quality of manufacture. There were garments for both men and women, truly marvelous, and bed clothing that not even those made of silk could ever rival…”**
Mexican manufacturers and artists have been appreciated around the globe for their singular way of merging raw matter, lines and color, with precision, quality and originality. As soon as you leave the airport and dive into the city, it is easy to notice that Mexico possesses a deeply visual culture. You can tell by the signs, the meticulously arranged fruit stalls planned for mouthwatering at first sight, and the food stands competing to be the first to catch the eye; in addition to the murals on the streets.
Pre-Columbian and Viceregal societies were highly stratified and visual elements served as a precise language to distinguish social standing; even the slightest details were thoroughly coded to ensure no mistake was made. In the Aztec capital, nobles were granted the right to dress cotton garments, ornate capes and sandals, while common citizens were restricted to maguey fiber clothing and remained barefoot.
In viceregal Mexico City, clothing similarly delineated the boundaries between the various religious orders and their internal hierarchies. When you observe a Mexican piece of art, understanding these nuances can bring you closer to its narrative.
Nowadays, indigenous crafted clothes continue to be made with the philosophy and techniques preserved for thousands of years, tracing back to the Pre-classic period (ca. 2,500 b.C. – 100 b.C.). More than wearable pieces of fine cotton, they are woven manuscripts whose embroidered or brocaded symbols describe the worldview and personal or familial history of the person in it, transforming each piece into a unique work of ultimate Haut Couture.
“…without counting all the jewelry of gold and silver, the featherwork, the stones and many other things of value […] which, beyond their intrinsic worth, were so marvelous that considering their novelty and rarity, they were priceless. It is hard to believe that among all the princes of the world of whom we have knowledge, any of them could possess such things of such exquisite quality.”**
**Hernán Cortés, Second Letter of Relation to Emperor Charles V
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